Thursday, June 21, 2012

Feedback & Critique

Part 3: Critique Partners -- Worth their weight in gold-pressed latinum


Every writer has an ideal reader in mind. This reader understands your work, appreciates your style, and enjoys your stories. But what if this reader, could do more than merely read?


Imagine a reader willing to point out weak spots and mercilessly take you to task. A reader able to frame criticism in a practical way. A reader who will compliment, but never coddle. They'll know when to lend a sympathetic ear and when to suggest that you pull your head out of your butt. Over time, they'll learn exactly which parts of your brain to poke in order to stimulate your creative mojo.  Imagine someone who believes in your work enough to rip it to shreds, and still leaves you feeling inspired. A good critique partner will do exactly that, and all they'll ask is that you return the favour.


Some benefits of having one or two (we're open minded here at Writer's Corner) serious crit partners are...



  • A more detailed dissection and analysis of your work
  • Deep trust allowing for honesty that might otherwise be seen as brutal
  • Reduces the risk of getting overwhelmed by too many contradicting opinions
  • Constant support of someone who 'gets' you
  • Intimate knowledge of your partner's creative process allows for critiques and discussions that are more focused and constructive
  • Easier accommodation of novel-length manuscripts or longer short stories, multi-draft reviews etc.
  • Flexible time commitments
  • It's free (unless you count the wine)



How does one find a critique partner? Honestly, it's not easy. It's not a relationship that can be forced. A good crit partner is the holy grail, a golden-tailed unicorn in human skin. The most effective way to stage your hunt -- um, search -- is to cultivate relationships with other writers. This elusive creature is usually someone you become acquainted with as a writer first, and a friend second. Take classes. Join a writing group. Attend readings and lectures. If you admire a person's work, say so. If someone is looking for a reader, raise your hand. Only keep in mind that these things start small. Begin with exchanging just a few pages. You'll know fairly quickly if the necessary chemistry and commitment is there.




Your crit partner isn't necessarily the only person with whom you share your work. You might also belong to a larger writing group. At some point you might seek a professional manuscript review from someone who doesn't know you at all. That said, your crit partner is likely the first and last reader. They'll see a project through with you to the end. Hopefully, you'll be able to help them as much as they help you. 


The symbiosis between critique partners is a pretty magical thing. It produces better writing, and more stable writers. It's a relationship worth nourishing. Though difficult to identify and track, once you find your unicorn, you'll wonder how you ever got by on your own.



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